The idea of a really important event being marked as much by the design on the invite as the party itself was the driving force here. I like the 1920s – it was the era where partying went from clandestine to mainstream and the tessellation evokes the glamour of emerging decadence.
Chris Baron graduated with a BA in Multimedia Design in 2005 from Southampton University, UK. He has worked in various creative fields within packaging, print and film, including projects for the BBC and Guerilla Creative Production. He draws inspiration from the urban landscape as well as design pioneers like Saul Bass.